Gerusalemme - meaning and definition. What is Gerusalemme
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What (who) is Gerusalemme - definition

EPIC POEM BY THE ITALIAN POET TORQUATO TASSO FIRST PUBLISHED IN 1581; TELLS A MYTHIFIED ACCOUNT OF THE FIRST CRUSADE IN WHICH CHRISTIAN KNIGHTS LED BY GODFREY OF BOUILLON BATTLE TO TAKE JERUSALEM
Sofronia; Gerusalemme liberata; La Gerusalemme liberata; Erminia; Gerusalemme Liberata; Olindo; Sophronia (Jerusalem Delivered); Gerusalemme liberate; Gierusalemme Liberata
  • ''Erminia tends to Tancredi's wounds'' by [[Alessandro Turchi]], c. 1630
  • ''Armida discovers the sleeping Rinaldo'' by [[Anthony van Dyck]]
  • ''Rinaldo Abandons Armida'' by [[Charles Errard]] (c. 1640).
  • Clorinda attacks Tancredi, one of a series by [[Paolo Domenico Finoglia]]
  • ''Rinaldo and Armida meet in the enchanted forest'' by [[Giacinto Gimignani]]
  • ''Herminia and Vaprino Find the Wounded Tancred'' by [[Giovanni Antonio Guardi]] (1750s).
  • ''Tancred and Erminia'' by [[Nicolas Poussin]], 1630s
  • Part of the Palazzo Panciatichi scheme, in [[fresco]]
  • ''[[Armida]] Discovers the Sleeping Rinaldo'' by [[Nicolas Poussin]] (1629). Cupid restrains her from stabbing her enemy.
  • ''Rinaldo about to destroy the tree that controls the enchanted forest'' by [[Francesco Maffei]], c. 1650–55
  • Ascalon]], [[Giovanni Battista Tiepolo]]
  • ''Tancredi Baptizing Clorinda'' by [[Domenico Tintoretto]], c. 1585

Jerusalem Delivered         
Jerusalem Delivered, also known as The Liberation of Jerusalem ( ; ), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade in which Christian knights, led by Godfrey of Bouillon, battle Muslims in order to take Jerusalem. Tasso began work on the poem in the mid-1560s.
Santo Stefano, Bologna         
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  • ''' Layout of the Basilica'''<br>1-3. Church of the Crucifix<br>2. Crypt<br>4. Church of the Holy Sepulchre<br>5. Church of Saints Vitale and Agricola<br>6. Pilate's courtyard<br>7. Church of the Trinity or the Martyrium, also called "Santa Croce", containing the ancient Nativity<br>8. Cloister<br>9-10-11-12. Chapel of the Bandage ("Cappella della Benda") and museum
  • [[Cloister]], Basilica di Santo Stefano, Bologna, Italy, 1895.
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  • The old pulpit, within the building called [[Basilica del Santo Sepolcro]].
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MINOR BASILICA IN BOLOGNA
Santo Stefano di Bologna; Santo Stefano (Bologna); Santa Gerusalemme; Santa Gerusalemme, Bologna
The basilica of Santo Stefano () encompasses a complex of religious edifices in the city of Bologna, Italy. Located on Piazza Santo Stefano, it is locally known as Sette Chiese ("Seven Churches") and Santa GerusalemmeBologna: Le nuove guide Oro, page 166, Touring Club Italiano, Touring Editore, 2004, , .
Modestus of Jerusalem         
  •  Aigues Mortes-Chapel of the [[Grey Penitents of Jesus]] to the [[Mount of Olives]]; in front of that is placed a gilded wooden reliquary bust Saint Modestus of Jerusalem
GREEK ORTHODOX PATRIARCH OF JERUSALEM
Patriarch Modestus; Patriarch Modestus of Jerusalem
Modestus of Jerusalem (; died December 16, 630Antiochus Strategos, The Capture of Jerusalem by the Persians in 614 AD, F.C.

Wikipedia

Jerusalem Delivered

Jerusalem Delivered, also known as The Liberation of Jerusalem (Italian: La Gerusalemme liberata [la dʒeruzaˈlɛmme libeˈraːta]; lit.'The freed Jerusalem'), is an epic poem by the Italian poet Torquato Tasso, first published in 1581, that tells a largely mythified version of the First Crusade in which Christian knights, led by Godfrey of Bouillon, battle Muslims in order to take Jerusalem. Tasso began work on the poem in the mid-1560s. Originally, it bore the title Il Goffredo. It was completed in April, 1575 and that summer the poet read his work to Duke Alfonso of Ferrara and Lucrezia, Duchess of Urbino. A pirate edition of 14 cantos from the poem appeared in Venice in 1580. The first complete editions of Gerusalemme liberata were published in Parma and Ferrara in 1581.

Tasso's choice of subject matter, an actual historic conflict between Christians and Muslims (albeit with fantastical elements added), had a historical grounding and created compositional implications (the narrative subject matter had a fixed endpoint and could not be endlessly spun out in multiple volumes) that are lacking in other Renaissance epics. Like other works of the period that portray conflicts between Christians and Muslims, this subject matter had a topical resonance to readers of the period when the Ottoman Empire was advancing through Eastern Europe.

The poem was hugely successful, and sections or moments from the story were used in works in other media all over Europe, especially in the period before the French Revolution and the Romantic movement, which provided alternative stories combining love, violence, and an exotic setting.

The poem is composed of 1,917 stanzas in ottava rima (15,336 hendecasyllabic lines), grouped into twenty cantos of varying length. The work belongs to the Italian Renaissance tradition of the romantic epic poem, and Tasso frequently borrows plot elements and character types directly from Ariosto's Orlando Furioso. Tasso's poem also has elements inspired by the classical epics of Homer and Virgil (especially in those sections of their works that tell of sieges and warfare). One of the most characteristic literary devices in Tasso's poem is the emotional conundrum endured by characters torn between their heart and their duty; the depiction of love at odds with martial valour or honor is a central source of lyrical passion in the poem.